Return of the Skeptics
Once upon a time I had this great idea of reviving the Educated Skeptics website, or at least putting something back up on the web that signals that we ever existed. Mostly, I wanted the mp3's of our material to be available to our multitudes of fans (not that they couldn't find one of us and legally purchase a CD...). At this point, I'm in the middle of exam crunch and procrastinating, but I've basically resigned myself to the fact that I'm no web designer (I can barely operate HTML at all) and I'm not going to be ambitious enough to make the website reappear. What I can do is put links to those great tunes back up, and that's what this is all about.
Thank Google for the free webspace.
Who could forget Only One of You? With it's goofy backwards guitar intro that was way too much fun to record, and that catchy chorus? And the "oo oo's" at the end.
Follow that with Phil. The enigmatic name. The hard panned guitar/violin duos. And that weird noise I made at the end of the song. I'm still not sure about it...
Mexican Standoff has become one of my favourite tunes. The random opening was fun, the gratuitous bass solo sublime, and if I could have mixed that end section better, it might have come out awesome. Too much guitar. Bah. Hear it every time.
Elements is a fun song. Too many chords for its own good. Who writes a song with two bridges? But it evolved well, and I really like the way the violin worked its way in.
Everyone loves the Steps Don't Make a Sound intro. You just gotta love violin with cool effects. That overblown middle section with Peters playing a whole orchestra over himself was my idea, I'm still not sure about it, but I take responsibility. Oh. And I still haven't gotten an explanation as to how the lyrics of the song relate to cell phones at all.
One Way Streets probably got the short end of the stick in the mixing process, but I still like it. Go echoey guitar. And the "ooohs." I think they could be a little louder. But I've always loved them.
Never has more time been spent on a drum beat than for On Your Own. And after all that work, we ripped it out and put a drum maching in instead. I still think my favourite part is that little backwards cymbal as it leads into the first verse.
And Tired. I think this is the concensus fan favourite. I must say, when I came back from a bathroom break during our first recording of this, and Caleb was playing that nutty 32nds thing on the final chorus, I thought he was nuts. Now I love it.
There you have it. They're back on the web.


4 Comments:
Art, not only is it great to have the songs available to anyone and everyone, but it is really great to have a mini-commentary on each one. I wish that all CDs came with such a commentary. I guess I just like knowing the inside information --which wouldn't be so inside I guess, if it was written in the CD book...-- Nevertheless, knowing about the loving/confused/annoyed/comsi-com-sa relationship that the artist had with the song just seems to add to the experience...
ROSE
I could actually write a blog entry on each song... that was the very quick version of each song from my perspective. I tried not to just complain about my guitar tone throughout and give some full band perspective, but there's something about lead guitarists... we're maybe a little obsessed with our guitar.
For the record, I'm a fan, and my favourite is not Tired. It's Phil. Followed by Mexican Standoff. My opinion may be biased because of the multiple times that I enjoyed hearing these songs live. And I absolutely love the violin plucking. So cool.
The other thing is that Tired is such an musically emotional song, whereas Phil and Mexican Standoff are more about the groove. Both of these categories hold special meaning for me, but for some reason in this case groove just beats out emotion. Now if you could just combine the two...
Y'know, especially after reading your comment, it's always weird when a guitarist admits there was too much guitar. But then, you never were normal, were you.
I'd actually be on board with you. I really like Tired, but I'd certainly put Mexican ahead of it and at some point Phil was definitely my favourite song on the album. That comment was more based on a larger poll, dare I say those who aren't as musically discerning as ourselves...?
And although I still hear the guitar part over any other part of the song when I'm listening to the album unless I make a point not to, I hope I can be objective enough to admit when it's too loud. I can certainly tell you when it sucks (see distortion tone on Only... I still cringe).
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